My work explores the intersections of performance art, architecture, media, and identity politics, focusing on interactive and immersive experiences that dissolve boundaries between performers and audiences. I integrate stage design, media arts, wearable technology, and sound to create adaptable theatrical environments that encourage spontaneous engagement and dialogue.

Central to my practice is the development of narrative frameworks that enhance audience interaction, whether through designed viewing paths, participatory game-like settings, or digital technologies such as AR/VR. By immersing audiences in these dynamic spaces, my work fosters deeper connections and new modes of storytelling.

My research also examines gender diversity in cyberspace, the impact of fake news on social networks, and the politicization of gender and the body.

我正在思考 "互动移动剧场 "的概念，探索如何将多变结构（建筑/装置艺术）、可穿戴装置、新媒体艺术、声音、乐器与表演艺术实验性地结合起来。在此基础上，我正在积极寻求跨学科合作，探索戏剧表演艺术的更多机会和可能性。此外，我一直在思考如何与观众进行肢体和心理的互动，如何为观众设计场域创造独特的心理体验。换句话说，让观众踏上舞台并沿着设计有趣的观看路径进行行动。或者引入新媒体技术（AR/VR），希望观众在静止和移动状态下成为作品中独特的一部分。

研究网络空间的性别多样性。此外，一些假新闻如何影响现代社交网络，以及该网络中的同性恋特征。(即性别和身体的政治化）